British researcher and label owner Bruce Bastin began making regular research and recording trips through the southeastern United States in the late s, often together with Peter Lowry. William Bates, 9 March ; Leighton, AL Chicago jazz and blues guitarist who worked both as a performer and a session man, largely during the s and s.
Bates entered the music business in St. In Bates formed a trio with Quinn Wilson bass and Horace Palm pianoand through much of the decade continued with this group. Bates recorded minimally under his own name, singles on Boxer, United, Apex, and Mad.
None of the sides achieved any kind of traction, but it did not matter, Bates earned his money in club gigs and as the most in-demand guitar player for recording a host of blues and rhythm and blues sessions, especially for Vee-Jay, but also for such small labels as Club 51 and Mad. Moved to Memphis inperforming and later recording with Jack Kelly.
He also recorded with Frank Stokes in Fromhe led his own jug bands and other types of acoustic instrument groups in the Memphis area. She recorded with the Paramount label inthe Merrit label inthe Gennett label inand the Brunswick label in Sidetracked by personal difficulties in the s, when Beard took up music again init was blues. Live Wire on his own label in marked a new departure for Beard, combining blues with rock and soul material. Beard tours the entire country, most often the East, Midwest, and South.
In the late s Beard moved to Rochester and began playing blues in local clubs.
His neighbor in Rochester in the mids was Son House. In the s he Az argánolaj a legjobb az öregedés ellen three well-received CDs.
Beasley made his classic records for the labels Modern and Crown in and Guitarist Joe Beard recalls Beauregard in Ashland in the s. Before his death, he was recorded by the Arhoolie and Adelphi labels.
His first full-length album was released on Fat Possum in Bell launched her music career in by arranging a meeting with famed blues singer Victoria Spivey at her home studio in Brooklyn. As a result, Spivey took Bell under her wing by preparing her for her first live performance, giving her lessons to improve her vocal style and delivery and introducing her to blues musicians in the New York area.
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Bell appeared at Spivey tribute concerts at the Dan Lynch Club in New York City and at the Chelsea House Folklore Center in West Brattleboro, Vermont, throughout the late laurence jacquet suisse anti aging and s, continued to perform with musicians she had met through Spivey, and released all of her own recordings on the Spivey label.
In Bell began hosting blues recording parties at her own apartment. Carey Bell Harrington, 14 November ; Macon, MS Considered one of the finest living exponents of the Southern-born, Chicago-schooled tradition of heavily amplified blues harmonica epitomized by Little Walter Jacobs and Big Walter Horton, both of whom Bell knew personally and learned from.
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Until moving to Chicago in orBell lived in the Mississippi hill country, near the Alabama border, cutting his musical teeth in Meridian, Mississippi, under the nurturing eye of an older musician, pianist Lovie Lee, who became his surrogate father. In Chicago, harp gigs proved scarce, despite tutoring from the two Walters and musical partnerships with guitarists Honeyboy Edwards and Johnny Young, so he often played bass guitar behind Robert Nighthawk, Earl Hooker, Big Walter, and others, in clubs and on Maxwell Street.
From the s onward, he worked primarily as frontman, often backed by Maryland-based guitarist Steve Jacobs. Son, guitarist Lurrie Bell, is active in blues; they have recorded together.
JulyMemphis, TN Guitarist.
Early s; Greenville, AL Singer and guitarist. Probably the same artist as Barefoot Bill and Sluefoot Joe who together recorded thirty superb blues between and Gave up secular music to become a preacher in Greenville.
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Louis in the s, then around Illinois from the s onward. He recorded in for Aristocrat. Later life was hampered by prison terms for various crimes, but his piano appearance at Illinois Central College was released in by JSP Records.
King, and Magic Sam. Bell recorded behind artists such as his father and Eddie C. Campbell while in his teens, and formed the Sons of Blues in the laurence jacquet suisse anti aging s with Billy Branch. Despite personal problems, he recorded several critically acclaimed releases for Delmark in the mid- to late s.
With his highly original guitar playing and impassioned vocals, Bell established himself as one of the strongest talents on the Chicago blues scene. His band, the Cadillacs, featuring pianist Erbie Bowser, had its first success playing for west Texas oil field workers in the late s.
Bell brought the band back to Austin in the early s.
In Bell, with Bowser on piano and prote´ge´ W. In the wake of the album Bell and Bowser had a late career resurgence, performing regularly in Austin as the Blues Specialists.
Below joined the school band at age sixteen and, after a failed attempt with the trombone, took up the drums. After graduation, he was drafted into the army and served two years overseas, where he met and played with jazz saxophonist Lester Young.
Knapp School of Percussion, where he took an advanced drumming course.
On graduation, he reenlisted in the army and played in a bebop band as well as with the th Army Band throughout Germany. After being released from the military inhe returned to Chicago only to find little work available in the declining local jazz scene.
On the advice of blues drummer and friend Elgin Edmonds, Below accepted an offer to join the Aces formerly the Three Acesa young blues band consisting of guitarist brothers Louis and David Myers and harmonica player Junior Wells. Although he initially found it very difficult to adapt his studied jazz expertise to the rough, unschooled sound of early s Chicago blues, Below persisted with the band and rapidly developed a swinging, jazz-inflected drumming style that would soon help transform the very sound of postwar Chicago blues.
Below continued to tour nationally with Little Walter and to record for Chess Records issued by Chess subsidiary Checker during the next several years. His distinctive playing also established him as an in-demand session musician, and he appeared on hundreds of recordings throughout the s and s, including those by Muddy Waters, Elmore James, Otis Rush, Sonny Boy Williamson II, J.
Lockwood, and John Lee Hooker. He was the house drummer for Chess Records for many years, and recorded for other labels throughout the next few decades including Vee-Jay, Cobra, Delmark, and Testament.
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He performed in Europe in as part of the American Folk Blues Festival and continued to tour and record worldwide, occasionally reuniting with the Aces.
Fred Below died of a heart attack in Chicago at age sixty-one. Later in life she married drummer Fred Below, from whom she was widowed.
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An avid club-goer and bon vivant, LaMarr Below enjoyed giving encouragement to musicians and was an intelligent and wry commentator on the Chicago music scene with which she remained involved all her life. Jesse, Belvin: b. A prolific composer whose songs, covered by everyone from Dave Brubeck to Gladys Knight, transcended blues, Belvin had only a few years in the spotlight but he made the most of them. Belvin began recording for Modern Records in with some of his songs being credited to the Cliques.
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He began work in on a project using West Coast jazz greats such as Art Pepper but never finished the album. Began performing in the mids, traveling around east Texas and Louisiana. In the s he settled in Houston. Recorded with the Gold Star label inand with the Elko label in A trademark trick was to laurence jacquet suisse anti aging and drink beer at the same time.
Amikor Theodor Heuss, egykori német államfő Kempelen Farkast, a Habsburg Birodalom hivatalnokát, a sakkautomata és a beszélőgép megalkotóját a történelem mellékszereplői közé sorolja, akkor meghatározása nem csupán a feltaláló saját korára, a Ebben az évszázadban tűntek fel a művészet haszontalanságát, s vele szemben a technika hasznosságát hirdető radikális gondolatok. Ahogyan azt Horst Bredekamp tanulmányában 2 kimutatta, Európa ebből a szempontból földrajzi értelemben is kettévált, a déli-művészi, illetve az északi-tudományos-haszonelvű pólusra. A felosztás akár Kempelen életrajzára is vonatkoztatható: utazásainak déli és északi végpontjai Itália és Anglia — Nápolyban ifjúkorában rézmetszést tanult, Angliában James Watt-tal értekezett a gőzgép tökéletesítéséről.
He reportedly died sometime in the s. His life was cut short by an auto accident. A master of elegant, yet forceful, minimalism, Bennett was one of the most in-demand session guitarists of his time.